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“Paul Thomas Anderson has created a rhapsodic shrine to the man that is nonetheless ballad-sized in its emotional scale.”
“But on the piano, laser-beamed into his songcraft, he’s quietly electrified, at seemingly at peace as his tenorous vocal glissando and nimble fingerwork on the piano produce shiveringly tender folk ballads that echo Harry Nilsson and Van Morrison.”
“The singer/songwriter was 23 at the time of the performance, one year older than Bob Dylan when he headlined Carnegie Hall, and similarly at the precipice of major fame.”
“By Ryan Lattanzio Plus icon ryan Ryan Lattanzio Executive Editor ryanlattanzio More stories by Ryan ‘Cameron Winter at Carnegie Hall’ Review: PTA’s Spellbinding Concert Doc Is a Gorgeously Tender Performance Read more ‘Project Hail Mary’ Rocketing Into Awards Season as SFFILM Gives Oscar Contender Sloan Science in Cinema Prize Read more AFI Fest Reveals 2026 Lineup: ‘Possible Love,’ Céline Sciamma’s’ Tutti Frutti,’ and 155 More Films Read more October 2, 2026 2:06 pm Add us as a Google Preferred Source 'Cameron Winter at Carnegie Hall' Share Share on Facebook Post Share on LinkedIn Show more sharing options Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Paul Thomas Anderson ‘s eye for vivifying music onscreen dates back to the late 1990s when, after “Boogie Nights,” he made Technicolor mini-masterpiece music videos with his ex-girlfriend Fiona Apple — or made a San Fernando Valley-sized shrine to Aimee Mann with his third feature, “Magnolia.” Since then, he’s kicked around with HAIM while turning one third of its Los Angelino triumvirate, Alana Haim, into a screen actress.”
“Chiefs Mike De Luca and Pam Abdy Took Big Risks and Made Great Movies.”
“(The usual comparisons to Tom Waits and Rufus Wainright are right, too, but Winter is his own strange thing.) If you weren’t previously sold on the wily Winter antic rock chaos of Geese — rapidly becoming one of the most popular contemporary art rock bands of these times — you’re about to.”
“Powered by WordPress.com VIP NYFF ‘Cameron Winter at Carnegie Hall’ Review: PTA’s Spellbinding Concert Doc Is a Gorgeously Tender Performance New York Film Festival: Paul Thomas Anderson operates his own Panavision camera onstage as the Geese frontman plays and croons through hauntingly sparse piano arrangements.”