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“The first is their drone-like quality; at moments in the song his vocal cords seem to be vibrating sympathetically to Hook’s bass and Bernard Sumner’s synth.”
“People go nuts for that song when we play it live, but it really is quite dark.” It’s the darkness of a lonely voice crying out, “I’m fucked”—or maybe, even more powerfully, “we’re fucked.” __________________________________ Excerpt from the book Punk in 50 Pieces by Kevin Dettmar.”
“Literary Hub » Behind One the Greatest Post-Punk Songs Ever Recorded Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture History Science Politics Biography Memoir Food Technology Bookstores and Libraries Film and TV Travel Music Art and Photography The Hub Style Design Sports Become A Member Lit Hub Radio The Lit Hub Podcast Awakeners Fiction/Non/Fiction The Critic and Her Publics Windham-Campbell Prizes Podcast Memoir Nation Beyond the Page First Draft: A Dialogue on Writing Thresholds The Cosmic Library Culture Schlock Reading Lists Reading Challenge Book Marks Best Reviewed Books CrimeReads True Crime The Daily Thrill Log In Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Reading Challenge Book Marks CrimeReads Log In Behind One the Greatest Post-Punk Songs Ever Recorded Kevin Dettmar on Joy Division, Ian Curtis, and the Tragic Background of “Love Will Tear Us Apart” Via Harper Kevin Dettmar September 14, 2026 The Ian Curtis whose torch singing floats above the high bass and glistening synths of “Love Will Tear Us Apart” is hardly recognizable as the guy who sang “She’s Lost Control” or “Dead Souls.” It makes sense that the song was a non-album single since it strikes out in such a different direction from the music the band had released on its first album, Unknown Pleasures , or that would characterize their next and last, Closer .”
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“Article continues after advertisement Two decades after its release NME named it the greatest single of all time—a claim that’s somehow both preposterous and plausible.”
“(Honoré always insisted that the relationship was platonic.) And that new love at least played a part in tearing Mr.”
“It’s one secret of the song’s surprisingly dynamic energy: the drone of Curtis’s voice pitched against the melodic riffs coming from Sumner and Hook.”
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“It’s this that Bernard Sumner has in mind when he calls “Love Will Tear Us Apart” “one of the most beautiful love songs ever written.” “It’s not a love song for the sake of it,” he writes in his memoir, “it’s no vacuous paean to pretend heartbreak or anything like that.”