51005 candidatos pendentes de triagem, de todas as fontes.
“The New Bev is showing a 35mm print of “Minnie and Moskowitz” on a double bill with another superb dramedy starring Rowlands, Lasse Hallström’s “Once Around.” Given the rarity of both films on the repertory circuit, it’s a double feature not to be missed if you’re in L.A.”
“The comic tension embodies Cassavetes’ approach to the entire film, which involved some not-so-subtle manipulation of his actors behind the scenes.”
“There’s also a parade of comic supporting turns that recalls those classic Hawks and Sturges comedies in the breadth and depth of the character actors Cassavetes employs.”
“Yet Cassavetes plays the whole thing at a kind of light, breezy pitch, directing “Minnie and Moskowitz” as though it’s just another escapist crowdpleaser.”
“Ultimately, major studios financed and distributed half of the 12 features he directed.”
“By Jim Hemphill Plus icon Jim Hemphill JimmyHemphill More stories by Jim How a Sequel to a Movie Barely Anyone Saw Became a Sensational (and Originally X-Rated) 1980s Indie Read more Neil Jordan on Making His Homoerotic ‘Interview with the Vampire’ for a Major Studio with A-List Stars Read more One of the Year’s Best Film Books Celebrates the Unsung Artists That Turned ‘The Women’ Into a Classic Read more September 23, 2026 12:30 pm Add us as a Google Preferred Source 'Minnie and Moskowitz' Courtesy Everett Collection Share Share on Facebook Post Share on LinkedIn Show more sharing options Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Writer/director John Cassavetes is widely considered, with ample justification, to be the godfather of independent filmmaking in America, a maverick whose intensely personal and unconventional work paved the way for later iconoclasts as varied as Abel Ferrara , Hal Hartley, and both Safdie brothers.”
“Related Stories Jean Smart Joins ‘The Family Stone’ Sequel in First Post-‘Hacks’ Role A New Physical Media Label Is Releasing Some of Our Favorite Recent Indies — with a New Lineup Every Lunar Cycle Cassavetes would go on to alternate studio and independent work for the rest of his career.”
“He followed his two unhappy (by his account, not his fans’ or history) studio experiences with another self-financed indie, “A Woman Under the Influence” (1974), that scored Oscar nominations — this time for Rowlands as Best Actress and Cassavetes as Best Director.”