https://www.indiewire.com/news/events/dirty-dancing-2-honor-patrick-swayze-baby-90s-1235222530/
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“Swayze died in 2009 of pancreatic cancer and Jacobson is intent on honoring the late star’s legacy with the sequel.”
“Read More: Color Force Crazy Rich Asians Dirty Dancing Film Future of Filmmaking Summit HBO Indiewire Love Story: John F.”
“Powered by WordPress.com VIP Future of Filmmaking ‘Dirty Dancing’ Sequel Will Honor Patrick Swayze, as Producers Work with Jennifer Grey to Write Baby’s Next Chapter Producer Nina Jacobson also revealed why "Crazy Rich Asians" is getting an HBO series instead of a movie sequel at IndieWire's Future of Filmmaking Summit.”
“Her film production company Color Force , where she is a producer and partner, is also behind FX’s “Love Story: John F.”
“& Carolyn Bessette Nina Jacobson The Hunger Games The Hunger Games: Sunrise on the Reaping TV Daily Headlines Daily Headlines covering Film, TV and more.”
“… They didn’t necessarily have that appetite, whereas there was an enormous appetite over at HBO for the books.”
“& Carolyn Bessette” and Lionsgate’s upcoming “Hunger Games” prequel “Sunrise on the Reaping.” Earlier this year, Color Force also came aboard as producers for Lionsgate’s “Dirty Dancing” follow-up (though not “Dirty Dancing 2,” lest one forget “Havana Nights”), which will see Grey return as Frances “Baby” Houseman for a new ‘90s-set romance featuring another young cast.”
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“[We are] trying to chase the feeling of that original movie.”
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“Kim Murphy Plus icon J.”
““If you tried to just slip by an abortion subplot in a romantic movie now, I think you’d get a lot of notes on that.” Related Stories Bill Hader Always Wanted to Direct a Film — His Divorce, ‘SNL,’ and Kiyoshi Kurosawa Helped Him Finally Build ‘They Know’ John Wilson’s Next Documentary Will Reportedly Show Audiences ‘How to’ Tour Like Harry Styles Jacobson took part in a conversation with IndieWire editor-in-chief Brent Lang at the event on Saturday in Los Angeles.”
“It’s actually very hard to do a sequel to a romantic comedy because you resolve the central emotional conflict,” she said.”
““We’ve struggled with trying to adapt it as a feature.”