https://www.indiewire.com/features/interviews/ava-duvernay-interview-14th-not-sequel-nyff-1235221117/
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““The secret, crazy thing about this is I couldn’t figure out how to do [it],” DuVernay said.”
“Ten years later, it’s closing night,” the director told IndieWire over Zoom.”
“You could actually legally destroy the whole thing,” said the documentarian, in reference to the 14th Amendment.”
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““I literally did the worst thing you could do, pitched that very casually to Adam Del Deo who runs docs at Netflix .”
““I can’t force some public debt thing.”
“Conversely, she followed contractor Devon Henry, who has made a career out of taking down Confederate monuments.”
“Powered by WordPress.com VIP Filmmaker interview Ava Duvernay Didn’t Make a Sequel — She Made ‘14th’ Though her latest Netflix documentary, NYFF closer "14th," shares DNA with her Oscar-nominated film "13th," director Ava DuVernay tells IndieWire that film was "very linear,” while “14th" is "a puzzle." By Marcus Jones Plus icon Marcus Jones subject provided Marcus Jones More stories by Marcus What Awards Is ‘You Can See Everything’ Even Eligible for?”
“Even Eric Foner, our grandfather of everything, he’s reading it in his pocket [Constitution] because he doesn’t even know it off the top, public debt.”
““And this, I wanted to get the pillars around folks, the railings, the iron, the things that hold us in place, because that’s what the 14th Amendment is.” With that idea of the “architecture of democracy” in mind as both a thematic and visual motif, DuVernay added some verité to her repertoire, shooting librarian Carla Hayden inside the hallowed halls of the Library of Congress shortly before she had been fired by the Trump administration.”
“And I thought, ‘Oh, wow, let’s look at other political comedians, comedians who’ve really used comedy to pierce through.”
““I’m going to slow this down and just watch this flower bloom for a little bit so I can just process what’s been going because we’re moving really quickly,” she added.”
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“However, “I wouldn’t say it’s a sequel,” she said.”
“So while access was not a problem, “some of that stuff was really degraded,” she said.”
“Different people through different times are talking about prison embedded in the artwork of their music,” she said.”
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“The slush fund for January 6 rioters was the last bit she needed.”
“Because if you can get one to crack, then the whole thing starts to crack.”
“to help restore some photos she and her team had come upon as they plowed through archives, from the Smithsonian Library of Congress to the Arkansas Historical Society, even people’s family albums.”
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