https://www.indiewire.com/features/craft/carrie-prom-sequence-making-of-mike-flanagan-interview-1235221098/
20 candidatos extraídos · 0 já revisados · 20 pendentes · 2.2% de cobertura de vocabulário
“We’re already changing the fundamental events of the prom and the players on the board.”
““We shot one plate of the blood pouring down, and then cleaned that all up,” VFX Supervisor Becky Philpott explained.”
“The blood needs to be shot from overhead, from wide behind her, a close-up, and a wide frontal from the back of the auditorium.”
“So the VFX team laid a green screen down.”
“The goal is to show off how the high school gym has transformed into a high school prom, with all the stars and tinsel that implies.”
““It began to haunt my dreams, and it turned out to be… It’s the most logistically challenging and elaborate sequence of my entire career, by quite a bit, actually.”
“‘Carrie’ ©Amazon/Courtesy Everett Collection There’s actually a digital element that takes place at the beginning of the shot, as well.”
“Carrie’s focus is also shifted, with the 2013 version finding Chloe Grace Moretz’s Carrie more akin to an X-Men villain than the traumatized, feverish teen Sissy Spacek played in 1976.”
“In total, they did nine takes as the AD called out numerical cues timed to the song’s beats and frame rate changes, almost like the waltz Carrie and Tommy dance to later in the sequence.”
“Howell and Samantha Sloyan in ‘Carrie’ Courtesy of Liane Hentscher / Prime Video Beyond Carrie White, and the balloons, and the buckets of blood, of course, there are also “The Others,” a group of powered kids who are monitoring Carrie for unknown reasons, led by frequent Flanagan collaborator (and wife) Kate Siegel, and Emaline West (Thalia Dudek), a girl who Carrie thinks is her split personality, but is actually another powered kid with AP (Astral Projection) who takes over Carrie’s body when things get to be a bit too much at the school dance.”
““We needed as much practical lighting that produces a fire flicker, but you also want some flame bars and some practical lighting,” Philpott said.”
“On the VFX end, while Carrie’s floating was merely editing out the wires, Lillard getting electrocuted was a little more trial and error.”
“Filmmaker Interview James Gray Looks Back at His Confident, Dangerous First Film ‘Little Odessa’ Analysis Why Is Gen Z Obsessed with the Oldest ‘American Horror Story’?”
“'Dancing With the Stars' Mariah Carey Night Ends With Another Unexpected Elimination, Season 35's Highest Score Yet: See the Scores, Who Went Home 3.”
“But de Palma looms large over all versions – perhaps even over the novel.”
“While Flanagan was razor-focused on the entrance, there’s one iconic shot that viewers know is coming, and carries (no pun intended) perhaps the most anticipation in the series: the moment when Carrie gets hit with pig’s blood, in this case from above, while the school watches.”
“You’re in a space full of established, principal characters, all of whom are going to have their own vantage point on the events of the prom.”