https://www.indiewire.com/features/commentary/horror-box-office-q3-2026-1235220127/
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“Here are six lessons from the summer box office, and what they say about horror post-“Obsession.” 1.”
“Horror’s third quarter explains why the genre needs more than one benchmark.”
“But Q3’s biggest horror newcomer, “Resident Evil,” took a very different route to becoming a hit.”
“Their last film, “I Saw the TV Glow,” earned $4.9 million domestically in 2024, and peaked at 469 theaters.”
“Here, it’s “Buddy” that offers the more helpful comparison.”
“That’s more than triple the $17.2 million that launched Curry Barker’s dating nightmare for Focus Features back in May.”
“That opening was down 24 percent from 2023’s “The Red Door,” which ultimately collected $82.2 million domestically.”
“An original low-budget indie became a global hit.”
“For Sony, Zach Cregger’s third horror feature opened to $60.2 million domestically.”
“All that against a reported $3 million production budget.”
“Scary movies, by nature, demand room for experimentation that can draw out all kinds of different audiences.”
“Production costs and ticket sales can’t establish profitability alone, but the scale does matter.”
“Grosses alone can’t explain what went wrong for Wingard and Roth, but those figures do establish that theatrical availability wasn’t enough.”
“How strongly did “Teenage Sex and Death at Camp Miasma” connect in its initial markets?”
“Read more Tom Cruise and James Cameron Are Optimistic About the Paramount and Warner Bros.”
“Sony’s “Insidious: Out of the Further” opened to $25.1 million domestically and reached $65.4 million by September 30.”
“The following weekend, the theater count contracted to 660 and its gross fell 89 percent to $231,000.”
“Wider Releases Couldn’t Save These Flops Some films deserved better rubrics for success.”
“domestic grosses.”