https://www.indiewire.com/features/craft/new-york-location-scouting-secrets-the-scout-team-1235219564/
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“So I think that’s a really cool part of the job is seeing so much that New York has to offer on locations.”
““The Scout” is screening in select theaters.”
“How I look at a space and what’s there kicks the ideas off in my head,” González-Nasser told IndieWire.”
““A cinematographer can’t do their job if they don’t have a great location.”
““You can be in a junkyard one day, and the next day you’re scouting suites at The Plaza.”
““New York really has a huge spectrum of high-end places and then much lower-end places,” Sage told IndieWire.”
“Filmmaker Interview ‘Digger’ Director Alejandro G.”
“It’s the same courtroom for every single show or movie that’s ever shot here,” Dunham told IndieWire.”
“But finding those spaces — learning the ropes from scout to coordinator to manager — is an art that enables all the other artmaking on a film or TV project.”
“New York City Location Scouting Secrets from the Team Behind Indie ‘The Scout’ Writer and director Paula González-Nasser and locations managers Hayden Dunham and Julie Sage tell IndieWire about the unsung work of film and TV locations departments.”
“By Sarah Shachat Plus icon Sarah Shachat Craft Editor sarahshachat More stories by Sarah New York City Location Scouting Secrets from the Team Behind Indie ‘The Scout’ Read more How to Run a Microcinema with John Wilson Read more Trying to Picture Doomsday?”
“A production designer can’t do anything without a great location.”
“And so in honor of “The Scout,” IndieWire asked Dunham, González-Nasser, and Sage about the challenges of scouting and managing locations in New York City and its surroundings, whether a project wants to stay true to the integrity of particular Brooklyn neighborhoods (“High Maintenance”) or wants to make New England look like Ohio (“The Chair Company”).”
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“In addition to the film ’s producing team, González-Nasser has worked with some stalwart NYC-based locations managers and assistant locations managers, Julie Sage and Hayden Dunham, who’ve worked on the full gamut of New York City-based shows and films from “High Maintenance” and “Search Party,” to “…And Just Like That” and “Billions,” from “One Night Only” to “Transformers.” Talking to the three of them together is a master class in the fine art (and sometimes crushing logistics) of doing locations work, and doing it well.”
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