https://www.rollingstone.com/music/music-live-reviews/celine-dion-returns-live-comeback-paris-review-1235625843/
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“Paris had not simply welcomed Dion back.”
“By then, the chants had reduced one of the world’s most famous singers to the only name Paris seemed to need: “Céline!”
“Even the sushi restaurant across from the arena had a papier-mâché Céline holding its menu.”
“Celine Dion’s Paris residency includes 26 performances at Plenitude Arena: 16 shows from Sept.”
“At one point, Dion had to stop singing altogether and let the audience carry the song for her.”
“She barely moved, almost in contemplation.”
“She had promised herself she wouldn’t cry, she told them, but those were tears of joy.”
“The emotion soon overtook her.”
“And then there was the voice.”
“The final act moved toward gospel and opera.”
“When she began the stripped-down opening lines of “ On ne change pas ” — “We Don’t Change” — her voice was already trembling with emotion.”
“In one of the most striking, Dion walked alone across a desert landscape toward an enormous stone structure, somewhere between the otherworldly scale of Dune and the immaculate elegance of a fashion film.”
“For French audiences, the wait had been even longer: Dion had not performed a full concert in France since her Live 2017 tour, which ended its French run in Nice that July.”
“A narrow light appeared.”
“Jean-Jacques Goldman wrote the song.”
““I’m going to tell you three words,” she later announced in French.”
“She was walking through a world made almost entirely of stone.”
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“Ne andrò lontana” Encore • “All By Myself” • “Pour que tu m’aimes encore” • “S’il suffisait d’aimer” • “Des milliers de baisers” (snippet) Alma Rota is publisher and chief digital editor at Rolling Stone France .”
“with no opening act, Celine Dion finally appeared at 8:48, after a wait that had only intensified the fever inside Plenitude Arena.”
“Dion sometimes seemed vulnerable, sometimes completely in control, and the audience could see her moving between the two.”
“Then, with almost no fanfare, the enormous stone structure at the center of the stage slowly opened.”
“Live performance has always contained risk.”
“Ne andrò lontana” from Alfredo Catalani’s La Wally , an aria famously associated with Maria Callas, while snow fell through the arena.”
“For someone whose own body has imposed new limits on movement, the landscape carried an obvious resonance.”
““I am well.” She had learned to live with this fragility, she explained.”
“Then “Un garçon pas comme les autres (Ziggy),” the Michel Berger-Luc Plamondon song from the landmark French-language rock opera Starmania , became one of the night’s great communal singalongs, a reminder that some of Dion’s biggest emotional touchstones in France are not necessarily the songs by which America knows her best.”