https://www.indiewire.com/criticism/movies/lovers-in-the-blue-night-review-anuparna-roy-1235216099/
30 candidatos extraídos · 0 já revisados · 30 pendentes · 3.3% de cobertura de vocabulário
“Through her, Roy shows how desire can be so primal even in environments estranged from it.”
“Grade: B+ “Lovers in the Blue Night” premiered at the 2026 Venice Film Festival.”
“The movie really gets moving when Karim and Sukka begin to open up to each other, much like Ameena and Omran strike up an unexpected romance.”
“Read More: Anuparna Roy Festivals Film Lovers in the Blue Night Daily Headlines Daily Headlines covering Film, TV and more.”
“Though the characters remain nameless for about 30 minutes, their predicaments soon snap into focus.”
““ Lovers in the Blue Night ” is a swift follow-up for the Indian up-and-comer, having just won a historic Venice Horizons Best Director prize for last year’s dreamy two-hander “Songs of Forgotten Trees,” where her similarly Mumbai-set latest, with some crew and cast members in common, made its premiere.”
“Powered by WordPress.com VIP Venice ‘Lovers in the Blue Night’ Review: Anuparna Roy Returns with a Dreamy, Pained Drama About Desire and Displacement Venice: Four restless migrants in Mumbai grapple with forbidden desires and lost futures in this compelling tale from the director of "Songs of Forgotten Trees." By Lé Baltar Plus icon Lé Baltar More stories by Lé How the Enduring ‘Ang Tanging Ina’ Movie Franchise Molded Filipino Comedy Beyond a Good Laugh Read more The 4K Return of Lino Brocka’s 1988 ‘Macho Dancer’ Reveals His Sensual Side — and Revives a Queer Landmark Read more ‘I’ll Be Gone in June’ Review: Two Teenagers Grapple with Otherness in Katharina Rivilis’ Spellbinding 9/11 Time Capsule Read more September 11, 2026 11:30 am Add us as a Google Preferred Source 'Lovers in the Blue Night' Khan & Kumar Media Share Share on Facebook Post Share on LinkedIn Show more sharing options Submit to Reddit Pin it Post to Tumblr Email Print This Page Share on WhatsApp Another unmissable stunner that follows four displaced, touch-starved dreamers who refuse to accept adriftness as their lot in life, filmmaker Anuparna Roy returns with a sophomore feature as emotionally unsparing as it is breezily poetic.”
“All of them have moved to Mumbai from Bangladesh and other parts of India.”
“Such spaces stand in stark contrast to the wealthy homes Sukka and his band of thieves — later including Karim, with his skill at making rat poison coming in handy — burgle and keep a watchful eye on.”
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