https://www.indiewire.com/criticism/movies/dau-movie-review-1235215861/
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“Natasha ” and “ DAU.”
“You can accuse Khrzhanovsky of a lot, but not of lacking a photographic eye.”
““It’s very distressing to know that you’re not god,” Landau muses at one point.”
“By Siddhant Adlakha Plus icon Siddhant Adlakha More stories by Siddhant ‘Dau’ Review: After 20 Years of Production, Ilya Khrzhanovsky’s Infamous Mega-Project Comes to a Screeching Halt Read more ‘Mr.”
“Then again, so did Landau, who, in the movie’s telling, remains torn between his scientific ethics and his Soviet duty when it comes to using his genius to build nuclear weapons.”
“Its core aesthetic ideas are visible on the surface during its four-decade narrative, but they rarely cohere to conjure intrigue or dramatic rigor.”
“It’s loud and brash, much like the production itself, which has drawn fascination and ire in equal measure.”
“Among the movie’s many multi-disciplinary performers, she creates a lively, complicated dynamic with Currentzis bordering on violent furor and paving the way for illicit affairs.”
“It’s hard not to wonder if the movie’s all-powerful, all-seeing director feels the same way about his creation, now that it’s no longer something he can manipulate and control.”
“This is its own kind of magic, but it’s also rare.”
“If the camera captures some hint of great performance, it usually feels accidental.”
“The Lucas Museum Doesn’t Have a Narrative 4.”
“The story’s improvised feel creates wildly naturalistic scenes of romance gone awry, but these sensations come at a cost.”
“Powered by WordPress.com VIP Venice ‘Dau’ Review: After 20 Years of Production, Ilya Khrzhanovsky’s Infamous Mega-Project Comes to a Screeching Halt At long last we get the definitive chapter of cinema's wildest project, carved from a living simulation of a Soviet town.”
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“As an immersive art project rife with allegations of abuse, the story of its making is notorious, and morbidly fascinating.”
“Degeneration ,” which premiered at Berlin in 2020 — the Venice competition entry is along the lines of what Khrzhanovsky first envisioned before pivoting to a Soviet “ Truman Show .” And yet, it rarely feels like a film that can be viewed outside its experimental context, in part because Khrzhanovsky’s camera so frequently leaves its lead characters to focus on the background and environment.”
“Dave Bautista Shows Off Body Transformation to Play Kratos in 'God of War' Series: 'Two More Months to Get to Where I Need to Be' 2.”
“Much of the time, you’re left to put up with untrained screen actors not knowing where to stand or look, or who don’t know not to block the camera’s view with flailing hands.”
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