https://www.indiewire.com/news/festivals/netflix-ink-oscar-odds-danny-boyle-jack-oconnell-murdoch-1235214456/
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“Powered by WordPress.com VIP Venice Can Rupert Murdoch Origin Story ‘Ink’ Push Danny Boyle, Jack O’Connell, Guy Pearce, and Netflix Into the Oscar Race?”
“They’re adding layers to the film,” said Boyle.”
“At Venice, Oscar-winning director Danny Boyle likened Jack O'Connell's work in "Ink" to Al Pacino in "The Godfather." By Marcus Jones Plus icon Marcus Jones subject provided Marcus Jones More stories by Marcus Venice Jury President Maggie Gyllenhaal Decries ‘Systemic’ Lack of Female Directors in Competition Read more George Clooney Says AI Will ‘Hurt Us’ and Questions Paramount and Warner Bros.”
“While recent Oscar nominee Pearce plays Murdoch, the main focus of the film is “28 Years Later” star Jack O’Connell as Lamb , recruiting characters played by Claire Foy, Brian Gleeson, and more to become his loyal staffers.”
“But for me, that was the inspiration,” said the director, creating a throughline between his lead’s performance and the one that earned Pacino two Oscar nominations.”
““He’s got that ability to take you into dark places with him like Pacino in ‘Godfather II.’ He’ll hate me saying that.”
“Better to allow Boyle to have the last words on why audiences, especially members of the Academy, should give “Ink” a chance: “The film, I hope, is hugely entertaining about quite a controversial subject who lots of people some, lots of people don’t.”
““And I said to the production designers.”
““We have this kind of poor man’s bullet time,” joked the filmmaker during the press conference.”
“Meanwhile, Pearce delivers another great performance, a Best Supporting Actor nomination for him would more be driven by the afterglow of his award-winning turn in “The Brutalist.” Claire Foy similarly is a value add once again, but if she was not able to garner Oscar attention for her showstopper performances in “First Man,” “Women Talking,” and “All of Us Strangers,” then she will most likely be overlooked here for a part that could’ve benefitted from being slightly more fleshed out.”
“The “Ink” take on Fleet Street is expansive and immersive, using all types of filmmaking techniques to keep the audience engaged, including sounds from Oscar-winning sound mixer Simon Hayes and Oscar-winning sound editor Johnnie Burn.”