https://www.rollingstone.com/music/music-album-reviews/prince-timeless-album-review-1235617984/
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“If somebody were to tell you he was, and then played Timeless for you as proof, you’d never listen to Prince — or that person — again.”
“There’s almost no dynamism or flair in Timeless , a new collection of old outtakes that plays like it was slapped together in about 15 minutes.”
“She'd Have Liked the Joke Flying Colors By Marissa R.”
“Laid out in chronological order, from 1977 studio demo to 2016 live rendition of a beloved B side, it doesn’t even begin to cohere.”
“Account Welcome Manage Account Manage Print Account Sign Out Log In Album Review The New Prince Album Doesn’t Match His Legend Timeless , a grab bag of from-the-vault material that spans decades, feels flat.”
“Kaytranada’s ‘Ain’t No Damn Way’ Is an Airy Amble Through Dance Music History View all posts by Michaelangelo Matos August 31, 2026 Prince in 1997 Tim Mosenfelder/ImageDirect/Getty Images Why was Prince the ultimate pop star?”
“Leaving out the outrageous persona, the eye-grabbing iconography, and the sizzling live shows, his musical restlessness and playfulness generated albums that were and are appointment listening.”
“The live-in-Oakland “How Come U Don’t Call Me Anymore” from his final tour feels tacked on, not like a purposeful pivot; the opening “I Am You” mostly makes you wish you were listening to the Time’s “The Walk,” which realigns the 1977 demo’s groove with thrust and power — a jalopy turned into a cruiser.”
“It's not even all that interesting as a collection of outtakes By Michaelangelo Matos Michaelangelo Matos Boards of Canada Are Back Like They’ve Never Left Clout-Chasing DJs Are Faking Co-Signs by Dubbing Over Crowd Videos.”
“Why was Prince the ultimate pop star?”
“An album should be a dynamic experience, and few demonstrated this with Prince’s flair.”
“There are few hints of an answer here.”
“Listening to Timeless , the only conceivable answer seems to be “Why not?” The best tracks are a pair of throwaway rockers, 2007’s “The Guilty Ones” (bitchin’ guitar squall) and the original jittery New Wave version of “Tick Tick Bang,” from 1981, which would show up on Graffiti Bridge in 1990 dressed up with off-kilter synth and drum machine.”
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