https://www.indiewire.com/criticism/movies/onslaught-review-adria-arjona-1235212736/
15 candidatos extraídos · 0 já revisados · 15 pendentes · 2.1% de cobertura de vocabulário
“It’s when “Onslaught” strays from her that it ends up on much shakier ground.”
“Read More: Adam Wingard Adria Arjona Film Onslaught Reviews Daily Headlines Daily Headlines covering Film, TV and more.”
“A late-in-the-game twist connects Celeste more directly to the assailants and gestures toward “Onslaught” having something broader to say about the military.”
“‘Onslaught’ Courtesy Everett Collection When “Onslaught” finally cuts out the fluff and gets to the bloody trailer park shoot-out that serves as its main setpiece, the result proves plenty compelling.”
“The cinematography captures the lush expanse of the desert and bathes the characters in dark blues while never leaving the frame murky, and the use of steadicam and exaggerated zoom-ins plants the film’s feet more firmly in its ’80s inspirations.”
“By Wilson Chapman Plus icon Wilson Chapman Michael Buckner Wilson Chapman More stories by Wilson ‘Coyote vs.”
“military — a choice that says less about the film’s blunt political incision than it reflects a baseline level of distrust in the government that even pulpy genre plays where Adria Arjona kills a guy with a chainsaw now operate under.”
“As far as directors to crib from, you can do worse than Carpenter, an incredibly influential figure whose specific brand of grit feels sorely missed in the modern landscape of antiseptic horror.”
“Moreau” wandered into “The Thing,” and he’s discarded too quickly to ever amount to much of a compelling antagonist.”