https://www.rollingstone.com/music/music-features/halsey-concert-movie-the-girl-in-the-tower-review-1235616614/
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“Five years ago, Halsey used that record to take a shot at the misconceptions of who she is as an artist.”
“If I Can’t Have Love, I Want Power gripped to what remained of their sense of control.”
“In this article: Halsey Music Music Features More News Miguel Calls Out Harassment of Partner and Child: ‘Legal and Ethical Lines Have Been Crossed’ Behind the Screen By Larisha Paul Prince Estate Co-Manager L.”
“Lately, Halsey feels about as connected to the label as she does with the version of herself who made them — which is to say very little.”
“Trending Stories Jelly Roll Finally Addresses His Political Views: ‘Human Dignity Isn’t Republican or Democrat’ Vin Diesel Proves There’s No Wrong Way To Honor Dolly Parton Dolly Parton’s Sister Stella Honors Singer: ‘Dolly Loved the World and Everyone in It’ ‘Below Deck’ Star Nathan Gallagher Breaks Silence on Domestic Violence Arrest: ‘I Made Mistakes’ They conclude The Girl in the Tower with “Lonely Is the Muse,” a burning and ferocious rock track that might actually be the greatest song they’ve ever recorded.”
“The show is split into four sections: The Mother, The Maiden, The Mage, and They’re Raging at Me.”
“It’s all left on these stages in the film, which premiered on YouTube on the fifth anniversary of her fourth studio album, If I Can’t Have Love, I Want Power.”
“Hanging out in New Jersey and Brooklyn isn’t the best crash course for red carpets and awards shows.”
“Halsey introduces The Maiden with “Dog Years,” an arresting selection from The Great Impersonator .”
“Halsey recruited Trent Reznor and Atticus Ross to pump the record full of blistering rock production to match its gritty content.”
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“She continues with a rock version of “Closer” that serves as an apt reminder that it was always Halsey who made that song great.”
“It communicated fantasy, horror, and searing despondence through the music.”
“The set list spans her 14-year career, with even the most pop-forward selections filtered through thunderous percussion and earsplitting guitars.”